Ed Pearl was not only a child of the Depression and the WWII years, but also a (grand)child of the first Russian Revolution; a non-conformist of the 1950s; and a political activist through it all into the 21st century.  And, by the way, he was addicted to music and was the owner of the club that changed the music scene in Los Angeles for the better, the Ash Grove. 

He died of COVID Sunday, February 7, 2021 at the age of 88. He is survived by his daughter, Jolie; his granddaughter, Ari; and three brothers, Bernie, Stanley and Sherman. He was predeceased by his sister Bernice and his step-daughter, Marni Hoyt. His death was not a surprise, but it was a shock. He had been struggling with the onset of Alzheimer’s for a few years prior. For the last year of his life, he lived in an assisted living facility which limited his contact with the outside world. Six months ago, he was still arguing politics and tapping his list of contacts to put together music shows.  It's hard to imagine none of us will be getting calls from him for a favor to help out at a music event or attend a meeting.

His grandfather, who was both Jewish and political, had to whisk his family out of Russia when the 1903 Revolution was defeated. They ended up in Egypt where Ed’s father learned to be a tool and die maker, finally marrying and settling in Boyle Heights. And then came the Depression. Boyle Heights at that time was perhaps one of the most diverse places in the US with all flavors of immigrants – from Russian Molokans, Japanese, Mexicans, Jews from all over, Italians and Chinese, to Black migrants from the South and whites from the dust bowls of the central US. Ed reveled in this diversity and enjoyed growing up in spite of the difficult times. 

As a teenager in 1945 he organized in his junior high school and brought students out of class to join a Los Angeles-wide student demonstration against an appearance at a school site of Gerald L. K. Smith; the noted anti-Black, anti-red, anti-Semitic hate monger of the time. Ed said of this event, “I saw how organization of people could be a powerful thing.”  And he brought this consciousness forward when, as a student at UCLA in 1954, he involved himself with a group of students trying to bring Pete Seeger to campus for a concert. The administration would not allow it because Pete was blacklisted, so Ed found a large church across the street from campus and they staged the concert there. It was a tremendous success and Ed was launched as a producer.  This led to producing several more concerts around Los Angeles. By 1957, after another full-house at a rented hall, Ed was sitting with Kate Hughes and Phil Melnick in Coffee Dan’s at Highland and Hollywood. Flush with success, the three hit on the idea to create a permanent music place of their own, where their friends would feel as comfortable as if they were at a living room hootenanny at Ed’s sister Bernice’s house.  They saw that there were beatnik “coffee houses” springing up all over Los Angeles where there was music, but it was an after-thought. There were also fancy, commercial nightclubs with high prices. This would be different. It would be cheap enough for students to come. It would respect the music and the artists. It would be the Ash Grove. 

Coincidentally, in the summer of 1958 when the Ash Grove opened with the help of family and friends, the Kingston Trio crashed the pop charts with Tom Dooley and “Folk Music” became popular with millions of people across the country. The Ash Grove rode this commercial urban folk wave to plant itself in the LA club scene. Then in 1961 Ed booked the New Lost City Ramblers into the club for several weeks. This was the turning point that made the Ash Grove legendary. 

Through the Ramblers and others Ed made the club a pipeline for traditional musicians, black and white, to audiences on the west coast. Many had made commercial records back in the 20s and 30s and were being “rediscovered.” Others were “front porch” entertainers carrying old musical traditions forward who were discovered by young people trekking south to find the roots of this music.  Some were young people bringing music handed down from their parents, like the White Brothers and the Chambers Brothers and the Freedom Singers. The club became the place in Los Angeles to see and hear and meet and learn from these national treasures of American music in person, people like Lightnin’ Hopkins, Roscoe Holcomb, Mance Lipscomb, Doc Watson, Earl Scruggs, Bukka White, Lester Flatt, Rev. Gary Davis, The Stanley Brothers, and Bessie Jones with the Georgia Island Singers. 

And there were people in the audience who sat night after night, learning, and went on to make their own music –Taj Mahal, Jackson Brown, Ry Cooder, Dave Alvin, David Cohen, David Lindley. Many became mainstays of the club’s calendar up to its closing days, even with the addition of the new kinds of music as Folk morphed into Folk-Rock, like Canned Heat that was virtually the house band for a while.

But Ed Pearl’s Ash Grove never just presented music.  It was his intent that it also be a place for the cultures and environments of these artists to come through in photographs and film screenings. It was also a place where Ed’s progressive politics of justice and social change were welcome and given a platform. As the tumultuous 60s developed, from Civil Rights to Black Power, from pro-peace anti-nuke marchers to anti-Vietnam-war activists, the club became a place for meetings and discussions. 

In the early days of the club Ed presented SNCC’s Freedom Singers to benefit Civil Rights organizing in the South. When he took on the task of organizing the registration campaign in Los Angeles to get the Peace and Freedom Party on the ballot, the Ash Grove became a center for that push. Ed supported the efforts of the Black Panthers to organize in their community, and the Ash Grove became an institutional ally. Ed used the Ash Grove to present programs on the new feminism and the student movement for Black and Chicano studies to be recognized in the curriculum. Ed disagreed with the United States’ isolation of Cuba and brought films and discussions about Cuba to the Ash Grove. This attention to Cuba was noticed by Anti-Castro organizations that led to the three arson fires.

Ed has said that after the Ash Grove totally burned in 1973 and closed for good he took a 10-year vacation, moving to Venice CA and drinking a lot. But he still produced programs and benefits, even more closely in congruence with his active engagement in politics – such as concerts with Chilean musicians who escaped from the Pinochet regime and anti-apartheid programs for Los Angeles public schools. He still had his phonebook and contacts and personal relationships that could get a concert on stage and an audience into the hall. He kept doing stuff. A series of very successful concerts along the West Coast, from Seattle to San Diego, with Phil Ochs, Holly Near and Mimi Farina, among others. The production of the San Francisco Mime Troupe’s version of Brecht’s “The Mother” for three sold-out nights at the Venice Fox Theater. The 1976 People’s Bicentennial. The 1985 KPFK Winterfest fundraiser among so many other benefits and fundraisers for which he arranged stellar performers. And a long-running folk music show on KPFK. And, later, his daily e-mail of interesting news articles and opinion from across the political spectrum, with his notes about events that became a daily bulletin board for the progressives of Los Angeles. It was a lot.  But his goal was always to re-establish the Ash Grove as a permanent location. 

There were several locations where Ed tried to put all the pieces together. One was on Santa Monica Boulevard in Hollywood.  In the late 80’s a location, some plans, and even a few events there materialized. But in the end it didn’t happen.

Then a great opportunity opened up on the Santa Monica Pier in 1991. Working with the city in a redevelopment program for the Pier and a host of individuals who invested in his dream, Ed opened a new Ash Grove in 1996. In spite of outstanding performers and good attendance, the club did not survive financially. It closed in 1997. 

But Ed was undeterred. He kept looking for the right place and the right combination. For three days in April 2008 on the UCLA campus, Ed and a large crew of supporters put together a 50th Anniversary Festival. With three major concerts and two days of free workshops it brought together many alumni of the Ash Grove on both sides of the footlights – musicians and audience members.  The flavor of the Ash Grove existed in those rooms that weekend. Ed, citing that Barack Obama was on the campaign trail for the Democratic nomination for President, said from that stage that a new Ash Grove is needed even more than ever. 

After the 50th Anniversary Festival Ed turned his attention to the non-profit he’d created, Ash Grove Music, Inc., to continue the mission of the club.  Working with a board he continued to look for new ways to establish a permanent venue and also put on concerts and workshops around Los Angeles. In 2019 the Ash Grove non-profit was folded into a sister organization, GetLit, whose founder Diane Luby Lane had been mentored by Ed.  GetLit is an organization focused on bringing high school students into an active engagement with poetry. The Ash Grove connection was made with the intention of expanding that focus to include music and giving recognition to folk poetry on a par with written poetry. 

In all of these enterprises Ed was conscious that he was not working alone. The list of names of people who were his collaborators and supporters and critics and arguers and enablers would be so long as to approach the infinite.  You know who you are. You know what your contributions were. You are all part of making the Ash Grove live on through the music you make and the justice you demand. 

We plan to hold an in-person community-based memorial for Ed once things have calmed down with COVID, likely in 2022.  An announcement will be posted here.

If you would like to make a donation in Ed’s memory, here are three suggestions (but feel free to give a donation to an organization of your choosing):

Ed entrusted Get Lit to carry on the mission of the Ash Grove. Donations can be made at Please mark your donation “Ash Grove Music Fund in memory of Ed Pearl.” 

Ed actively supported the Center for the Study of Political Graphics, which collaborated with him on many musical and political events.

Ed was a faithful listener and supporter of DemocracyNow! for their in-depth news and analysis.

Please contribute to Ed's memory by leaving a tribute, story or photograph on this site.

Posted by Marina Bokelman on February 28, 2021
Ed Pearl was one of the kindest men I have ever met. I was a member of the Ash Grove from Day One. Bess Hawes, who was a family friend and my teacher, told my family about it. When I was a 14 year old banjo player, Ed invited me to perform on the stage that would over the years hold so many great musicians. It is that kindness to a teenage folk music lover that I will always remember. He always greeted us at the door. Ed and the Ash Grove, and all the incredible traditional musicians he brought to Los Angeles changed the my life forever. Bless you Ed Pearl. 
Posted by Barbara Morrison on February 27, 2021
Thanks for being my brother too! I will never forget you and your kindness!
Barbara Morrison

Leave a Tribute

Recent Tributes
Posted by Marina Bokelman on February 28, 2021
Ed Pearl was one of the kindest men I have ever met. I was a member of the Ash Grove from Day One. Bess Hawes, who was a family friend and my teacher, told my family about it. When I was a 14 year old banjo player, Ed invited me to perform on the stage that would over the years hold so many great musicians. It is that kindness to a teenage folk music lover that I will always remember. He always greeted us at the door. Ed and the Ash Grove, and all the incredible traditional musicians he brought to Los Angeles changed the my life forever. Bless you Ed Pearl. 
Posted by Barbara Morrison on February 27, 2021
Thanks for being my brother too! I will never forget you and your kindness!
Barbara Morrison
his Life

In memorium: links to news coverage of Ed’s death:

CSPG "Culture of Liberation" Award - 1997

1997, Ed Pearl was the recipient of the Center for the Study of Political Graphics’ “Culture of Liberation” Award.” The award title comes from a quote from Amilar Cabral, “Culture contains the seed of opposition becoming the flower of liberation.”  Below is the lightly edited essay, written by Carol Wells, that was used in the program book. Other recipients of this award included Paul Conrad (2002); Betty and Stanley Sheinbaum (2004); June Wayne (2009); Reverend James and Dorothy Lawson (2011); Tom Morello (2012); and Dolores Huerta (2014).
If you’re terrified of offending everybody, you usually say nothing. I never did that from the beginning. I’m not gonna do that now.” - Ed Pearl
Ed Pearl has been politically and culturally active in Los Angles since childhood. Raised in Boyle Heights, his first organization was Habonim, a Labor Zionist group that he joined at age ten and remained active until 1956. In 1958, Ed linked his passion for music and politics when he opened a club in Los Angeles that became a mecca for the emerging folk and rock musicians of the 1960s, and a focal point for the progressive cultural and political forces that shaped the times. The original Ash Grove, located on Melrose Avenue, thrived from 1958 to 1973, and exposed the entire city, including the recording industry, to a vast range of Black and white folk traditions of the U.S. The club was a magnet where cultures, politics and music merged, legitimizing the country’s unique multi-cultural heritage and providing an important platform for the emerging voice of the 60s generation. 
The Ash Grove hosted events and was a social meeting place for people involved in a variety of causes - from the Civil Rights to the Anti-Nuclear and emerging student movements. As the Viet Nam War deepened, he helped found the Peace & Freedom Party in 1967. Ed was unabashed about his politics, and it created enemies. The Ash Grove was first struck by arson in 1969. After a benefit from many of the great performers that had appeared at the club, it reopened. Fire struck again in 1970, when six men affiliated with an Anti-Castro group broke into the club and set it afire. The final fire, on November 11, 1973, totally destroyed the club. When Pearl reminisces about the original Ash Grove it’s not with sentimentality, but with pride about the club’s accomplishments. “I dignified people’s culture and I brought ethnic musical heritage and culture to the people in Hollywood.”
Ed’s contribution to the cultural life of Los Angeles was even more laudable during the next twenty-three years. In a sense the city at large became the Ash Grove. For numerous organizations and in countless public events, Ed produced vital cultural experiences that sustained a progressive vision during the darkest periods of the Nixon-Reagan years. In 1973, after the U.S. sponsored coup against the democratically elected Allende government in Chile,  Ed worked as the Cultural Coordinator for the Los Angeles Group for Latin American Solidarity (LAGLAS). He staged concerts by numerous Mexican and South American musicians, who had little or no exposure in the U.S., and those who have been ostracized by their countries for being too political in their musical expressions. He was involved with the founding of the Citizens Party in 1980 and in 1984 worked with Jesse Jackson’s California Primary Campaign.  From 1978-1987 Ed enriched the airwaves at KPFK with “Up from the Ash Grove,” a ninety minute program of peoples’ culture, music, and politics. 
Ed produced more than a dozen major plays of the San Francisco Mime Troupe from 1979 to1984, always connecting appropriate community political groups to the theme of the productions. In 1982 and 1983 Ed and Cheri Gaulke co-directed the “Target L.A. : Anti Nuclear Music and Arts Festival,” which turned a downtown parking structure into a fairground with stages, bands, poets, performance art. installations and “games of nuclear chance.” Perhaps nothing shows Ed’s commitment to the marriage of culture and politics more than his “Art Against Apartheid” show which toured Los Angeles high schools for two years, from 1985 to1986. With the help of numerous poets, musicians, and actors, inner city students were educated about domestic racism and South African Apartheid. 
A serious effort began in 1987 to reopen the Ash Grove, an effort which took almost a decade and included a large number of concerts and events. Along the way, Ed produced yet more San Francisco Mime Troupe shows as well as an extended series of cultural/political events supporting the Pro-Choice movement. 
In July 1996, the new Ash Grove opened on the Santa Monica pier. Based upon the ideal of the original club and drawing upon a new generation of musical innovators, the new club showcased an extraordinary range of regional and ethnic music in an atmosphere of authenticity, collaboration, and respect. The Ash Grove of the ‘90s was not about nostalgia. While old friends and heroes of traditional music and the ‘60s scene performed, today’s ingenious musical genres - Blues, Cajun, Jazz, Afro-Latin sounds, World Music, Tejano, roots rock, folk, hard rock, Bluegrass, Celtic, Gospel and others given a nurturing home to develop and grow. 
Art and politics are inseparable for Ed Pearl. His artistry and commitment have contributed to the success of scores of political and artistic events he has produced for the progressive community over the past twenty five years. Our purpose today is to honor Ed for his tireless efforts to create the culture of liberation in Los Angeles.
Recent stories

A tribute to Ed sent by Rik Elswit to Jolie Pearl

Shared by Jolie Pearl on March 1, 2021
Ed opened his club in LA during what Dave Van Ronk called, The Great Folk Music Scare, when pop musicians playing folksongs from the Harry Smith Collection were actually topping the charts. They all played Doug Weston's Troubadour, a half mile away. Ed booked the real deal. Lightnin' Hopkins, the Chambers Brothers, Mance Lipscomb, the Stoneman Family, Clifton Chenier, Savoy-Doucet, Canned Heat, Freddie King... It was as if he and Chris Strachwitz partnered up, and Ed essentially booked the Arhoolie catalog. And it was the home club that Taj Mahal, David Lindley and Ry Cooder found their performing feet in. It was where I first heard the Kentucky Colonels, with Clarence White, and several weeks later caught Joseph Byrd's avant garde United States of America. The Rising Sons, and later the Byrds, rehearsed there. And it was where I bought my first electric guitar, and took my only formal guitar lesson, from Ed's brother, Bernie. I've written here ad nauseum about the Troubadour, but the Ash Grove was every bit as important to me. In some ways more so. You could hear Troubadour acts other places, but the Ash Grove was one of the few places where you heard these unjustly uncelebrated culture bearers. I had magic, mind-opening evenings there. Ed Pearl's love of roots music opened us up made better the lives of so many of us, and he won't get the notice he deserves. 

I'm proud, and lucky, to have been associated with the scene there. Ed's creation of that scene changed peoples's lives for the better. I teach people how to play roots music. The music I learned and learned to love because of the Ash Grove has been the center of my life for 50 years, including the 15 that I spent touring with a rock band. Your uncle Bernie gave me my only formal guitar lesson, and pointed out which instrument I should buy for my first electric. I have gold records on my wall thanks to the Pearl Brothers. And I have a 15 year old girl who takes lessons from me, and can play like Jerry Reed. She never met your father, and doesn't yet know that her love for this music is a gift I passed on to her from your father. Nor do my five banjo students. Your father increased the amount of joy available in this world, and may his memory be a blessing.

Ed Pearl was a good friend of mine

Shared by David Fertig on February 27, 2021
Sadly, Ed Pearl is physically gone, although the echo of his spirit will be around for a very long time.  And wherever there’s root music playing a gig and the artists are treated right, Ed is there - which means whenever I am playing a gig, Ed’s there, too.  
I first met Ed in 1974, when I moved to Venice from Washington DC, with his step-daughter Marnie and her boyfriend Logan.  Ed was then a very angry man, his Ash Grove club had been destroyed under his feet.  He spoke of occasionally going into the desert to shoot off semi-automatic firearms for a sort of anger-relief therapy.   I was both impressed, and a little worried for him.  
He was very happy to have Marnie around, and he soon brought to our house several large boxes filled with reel-to-reel tapes, his treasure: the Ash Grove Tapes,  hoping we’d catalogue them. Well, we sure listened to them over and over again, until Ed rescued them from us 18-year-olds!
From 1974 until 2000, I worked with Ed more than a few times. Whether it was a musical fundraiser for Peoples College of Law or other good causes, organizing meetings, political efforts, helping him with small legal matters, and serving on the Ash Grove Foundation board,  Ed Pearl was always a force to be reckoned with, and he was always certain - he had the goods, he knew what was what, and wouldn’t back down. 
Ed had a serene and peaceful side too, I saw it a lot, but it was shy in public.  He spoke lovingly about his family, his old friends and new.  And sometimes he had sharp elbows.   I’ll never forget seeing him, in 2002 or so, two feet away from me, punching the face of a disagreeable fellow in a meeting of grass-roots Pacifica Foundation organizers.  Here we were gathered in Unitarian Church to help to rescue a pacifist foundation!  It was brief, no blood spilled, and I more or less dragged him out of there.  He had his reasons...
In 2008, when Ed gave me a small role to help at the Ash Grove 40th event at UCLA, I (only briefly) hesitated: every time I’d worked with Ed Pearl, he sure had the goods: the artists were his friends, he had the experience, he had the knowledge. He also had no patience and little trust in the competence of all but a few others, and a very sharp tongue.  That’s when I met the amazing, fun, brilliant, resilient and committed people who comprised the Directors of the Ash Grove Foundation, after which I became even closer to Ed, who was somehow mellowing a bit. 
I loved Ed Pearl, like a brother, like an uncle, like an old friend.  I loved playing in the Ash Grove Players, too, and I was thrilled when he approved of our work.  
My last - and most lasting - memory of seeing Ed Pearl was when a few of us Ash Grove Players came to his care facility, sat outside at a picnic table and played music to him, and he loved it! The wide beaming beatific smile on his face, even as he knew he was on the decline, is beautifully etched into my mind.  
Ed Pearl, Presente!
-David Fertig

Activist Video Archive interviews with Ed

Shared by Jolie Pearl on February 27, 2021
Activist Video Archive interviews with Ed, 2018: