A Homeage To Hilary's Soul—Channeled by Sabine Messner
Red oil paint on a virgin canvas.
I am the brush dipping into a puddle of color—mixing, swirling, dipping in again. Deep, deep, deep into space. White noise vanishes. The voices in my head go silent. Finally. I enter thoughtlessness. Fire engine red, umbra, black and white. Contrast. So much light and dark. I blend it together, muddling my way through to plenty of answers that never satisfy.
I am the brush sliding over thousands of canvas ripples—rippling, crippling, over and over again, until they are all covered up. Searching for form, un-searching, transforming, inserting fragments, looking for meaning.
I am the brush following dictated outlines with way too much stroke and force. I am the good girl. I do what I'm told. Yes, I am silent. I shut up. Overflowing with paint quelling out of every pore, I never fit in. I thought if I would just paint my life by numbers, it would all come together. 1 connects to 2 connects to 3. What happened to the lines?
I am the brush painting my untold story. Layer upon layer, I edit the past looking for clues of the future.
I am the brush drying on the edges. Crusty baggage following me like unwelcomed company, though I never give up. I keep on going. Brushing on more white. White. White. White—like cotton candy cover-up.
I am white, fine china porcelain, gold trimmed, victorian flowers swirling, scattered, chattered, broken off.
I am the hot dripping glue gun, fired up to patch together what wants to fall apart. I'm on a mission, I can't let go.
Mother.
Silk scarfs from the 60ties, broadly rimmed summer hats, smiling doll faces, crochet placements on polished mahogany tables.
I am the silver spoon dipping into fresh pressed French roast, vanilla sky, creme on top. I am the silent scream in well dressed coffee houses.
I am pink.
I am the little girl skipping, pink skirt, underskirt. Swirling like a dervish, I dance into the dream world. Saint Louis. New York. Paris. Los Angeles. The world is calling. Fine china, Fine Art in America. Show case. On display, the artist's way.
I am the scissors cutting the hair off the doll. I glue it on the painting. There. There it does fit in. On top. Topping it off, modern I say. Modernism, freedom, love. What's wrong with desires?
I am the hammer, crushing with one swoop onto the finely trimmed coffee plates of time—clinking crystal glasses, chandeliers weighing on top.
I am the silenced rebel, relentless dreamer. I roar with well behaved passion. Hopes and dreams the size of skyscrapers. Up, up I say. Up we go, what else is there? To the top, over the top. Topping it off.
Never enough.
I am the brush.
I am the brush. Caressing my thinning, brittle skin. Air blown surface, stretched too far, like bubbling colored glass blown out of proportion.
I am the brush, cradling my giant heart. Generosity overflowing when the cup is already full. I can't help but let it come, give and give. String by string. Word by word, clusters of feelings, knotted up wool. Stroke by stroke like horse hair, ross hair, unicorn—like silky fur, like feathers from invisible hands.
I am the brush, painting my dream. Stroke by stroke, heroically for all of time. A courageous pursue. All by myself—only surrounded by the vanishing fumes of petrol possibilities.
Mother.
Time is running like sand through my fingers. Unfinished business. My art is complete.
Stroke by stroke, hardened paint in rushed squeezed aluminum tubes. God knows I squeezed it all out of me. I did my best. I gave it my All. I painted my heart out for an audience that never came, for an applause that never echoed.
It's time to sign. I am the master. After all.
I add my H C Zim.
I am the brush.
I am the stroke.
How apropos.