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Sarah has what every mother needs (Article in Vancouver Sun, November 1970)

February 19, 2021
Sarah McLoughlin has to be the envy of all mothers. She has exactly what they need every once in a while-a place to hideout. Every Tuesday and Wednesday she takes the phone off the hook, puts a Do Not Disturb sign on the front door, goes up to the second floor, and pulls down a folding staircase that leads to her attic studio. Once up the stairs, she closes the trap door and concentrates on her painting. Sarah is an artist, and on these two days, she shuts herself off from the rest of the world and just paints. 

“I fight a losing battle with house, garden, children and the dog. and this is my way of keeping the world from crumbling down around my ears,” she said. Her weekly solitary confinement is productive - work was exhibited at the Vancouver Art Gallery Annual in 1965, the Federation of Canadian Artists’ Annual in 1965 and '68. she is represented in local and eastern collections. Currently, until Dec. 12. she is having showings at the Arts Club. 1181 Seymour. Club hours are noon to 2 p m. and 8 p.m. lo midnight. 

 One of seven children of retired Rear Admiral H. F. Pullen. Sarah was born in Malta and went to school in Halifax. Ottawa and Victoria. “We lived a mobile life/* she says, “but you adjust to it” A graduate of the University of British Columbia, she studied art at night while attending school by day. She has no formal art training. “It’s embarrassing," she says. “I think formal training counts a lot." She admits she went to art classes primarily to paint, not to learn, she describes her work as impressionistic. “If I do a painting of False Creek, you are not going to be able to pick out Johnston Terminals in the background. “Some people say my paintings are like Tony Onleys. I studied with him, but I hope I’m not derivative. I’d rather be my own individual. 

 “I’m accused of painting just greys, but that's what I sec. K I were in Mexico with all that colour, then I would paint colour, but I don't see that here." Sarah started painting in earnest a few years ago because "I was fracturing a lot of time.” "Until the children were in school 1 really couldn't go at it seriously. It was frustrating because I knew I could paint and that I had something to say. "For years I spent time looking at buildings, light in the sky. and I sketched. I painted from that. I look for landscapes when I'm driving - I'm composing paintings all the time." Sarah also does a few pastel children’s portraits - usually for friends. * I do the portraits from photographs, but so often the children don’t really look like their photo I have them for a sitting to correct the colouring, but even that little time is a strain for kids. The pastels take time, and I much prefer landscapes.” 

It takes organization to work at a career from home, and Sarah has her time pretty well spaced out for her weekly two-day paint-in. "On Mondays 1 do all the grizzly things that have to be done, such as grocery shopping. phone calls, laundry and the dentist.” Outside her front door is a box of gardening tools and equipment "Gardening is not grizzly." she claims. "It's sort of mind-cleansing. I enjoy pruning and carving out space - it’s creative. I try to get the utmost out of the space in my garden with continuing blooms.” 

Even about with asthma last spring did not keep her out of her garden. “Isn't that a dumb thing to get in the middle of your life?” She was 33 last Tuesday. At the moment she is being defeated by her young puppy. Parsley, which she hopes is a Collie. Sarah says that on weekends her family, which embraces lawyer husband Brian and children Michael and Margo, do their own thing. “My thing is not cooking. Oh. I'm an adequate cook, but 1 don't really like it. I don't mind paying money for time- savers. and we re regulars of Ernie's Kentucky Fried Chicken. “My husband’s a keen skier, so we take lessons up Grouse and we walk the dog. and of course, there's always the garden.” 

The McLoughlin living room is almost child-proof with attractive furniture covered in white plastic leather. “Not the rug though.” Sarah sighs, “the kids are always spilling something on it and then there's the puppy.” With everything else, she is busy making Christmas gifts now. “With six brothers and sisters and their families, you have to do some things yourself,” She says thoughtfully: “Wouldn’t it be just great if you didn't have anything to do - if everything that had to be done was done?” And then she adds brightly: None of the things I do are crucial or important, but they do take up time.” 

Sue's Gloves Poem for Sarah (Gran)

February 22, 2021
A glove enables a hand to do what it otherwise.

Would not...

pick up a snail
carry a pail
scrape the rust off the rail
catch a worm by the tail

pull a weed by the roots
plant tender lettuce shoots
brush the mud off my boots
Pick up squishy fruits.

All this feels better with a glove.

Gran has a big basket-cart full of gloves. 
I think that is because she really loves
Gloves of all sizes and all colours too
Plastic ones with flowers or cotton dungarees
Big ones with finger room, small ones so tight
Leather ones for grandpa
Ones for left and right.

Gloves we wear for gardening
Gloves we wear for play
Gloves we wear when garnering. 
The slugs along the way.

Gloves for gathering seaweed
To fertilize the trees. 
Gloves for carving Kelp heads
That scares you to your knees.

Gloves that keep our hands warm
Gloves that Keep them Clean
Gloves that Keep the slivers out
While chopping up Kindling.

Gran makes me put my gloves on
Then let s me be her crew. 
Doing things in my hands without the gloves. 
I would never want to do!
February 19, 2021
McLoughlin—Pullen
VICTORIA — Of wide interest was the wedding in St Paul's Naval and Garrison Church, Esquimalt, on Saturday when Sarah, daughter of Rear-Admiral and Mrs. Hugh E. Pullen, Admiral’s House, Esquimalt, became the bride of Brian McLoughlin of Vancouver, son of Mrs. Harry L. Robinson of Vancouver.
The church and Admiral’s House were beautifully decorated with flowers donated and arranged by friends.
Rev. A. Roberts performed the ceremony.
The bride wore a lovely gown of ivory organdie, fashioned with a bateau neckline, long sleeves and dropped waistline. The full skirt ended in a train matching the bridal veil of the net, embroidered at the crown and edged with lace. This veil, which had been the bride’s mother’s veil, was held by a circlet of orange blossoms and stephanotis.
The bride carried a cascade bouquet of cream-coloured gladioli and lilies of the valley.
Four sisters of the bride were among her attendants. Miss Tinker Pullen wore a gown of turquoise organza over Swiss cotton, its Empire waistline encircled by velvet band with bows at the back. The ballerina skirt featured butterfly pleats at the back.
Miss Margo Pullen wore a similarly styled gown of turquoise organza and yellow taffeta and junior attendants, twin sisters, Frances and Helen Pullen. wore yellow organza over yellow taffeta similar in style to the other gowns.
Wendy Pullen, the bride’s cousin wore a gown similar to Miss Tinker's.
Attendants wore velvet circlets with bows to match their gowns and carried spray bouquets of peach-toned gladioli.
Train bearers were William Pullen and John Phillips.
John McLoughlin was the best man and the ushers were Lt Hugh Pullen. Howard Eckman. William Robinson and James Helmcken.
A reception was held in the garden of Admiral’s house.
The couple left for a two- month honeymoon in Europe, the bride travelling in a yellow tweed costume with beige accessories. They will reside in Vancouver.


​Dalhousie Queen

February 19, 2021
Dalhousie Queen Sarah Pullen, the 17-year-old daughter of Admiral H. F. Pullen and Mrs. Pullen of Ottawa, was chosen sophomore queen of Dalhousie University, Halifax, this week. Miss Pullen, a graduate of Halifax Ladies College, is attending Dalhousie on a scholarship awarded to her by the Dalhousie Club of New York. She was crowned sophomore queen over four other contestants for the honour. (Clipped from The Ottawa Citizen, Ottawa, Ontario, Canada
09 Dec 1954, Thu  •  Page 40)

Former Halifax woman’s show reflects grey, wet climate By Tom Williams

February 19, 2021
(Article in The Chronicle Herald, November 1970.)
Sarah McLoughlin finished her first “one-man” art show Thursday still waiting to be discovered. The 33-year-old former Halifax artist — daughter of retired Admiral Hugh Pullen and Mrs. Pullen of Chester — said her showing of 30 landscapes at the Queen Elizabeth Playhouse here was met with resounding silence.
Vancouver critics didn't see fit to review her work and the only real comment she got was from friends.
"I had several phone calls asking about selling them, but as soon as I mentioned prices, they hung up,” said the tall, slender woman with short-cropped hair and soft grey eyes.
Of the critics, she said: “They don't review just anybody, and I haven’t reached the stage where I'm somebody.”
Although she has "always painted.” her first show represented five years of serious work squeezed in amid her other duties. These include being the wife of a successful Vancouver lawyer Brian McLoughlin — currently counsel to the Canadian Radio-Television Commission — mother of their two active children and, recently, trainer of a young dog who refuses to be housebroken.
Her works — oil on canvas — are in the impressionist tradition, but are not so impressionistic that the subjects are not recognizable to the untrained eye.
They are landscapes, but range in subject matter from cloud-shrouded mountain peaks to angular city shapes, to a misty view of Juan de Fuca Strait that is mainly a shimmering gradation of subtle greys and pale greens.
Grey in all its shades is dominant in much of her work. It’s a characteristic that doesn’t always please amateur critics.
“I've heard many people say they get tired of the greys and would rather see brighter colours. Well, I’m not painting in Mexico, where the colours are bright and sharp. I’m painting northern landscapes, and quite often they’re wet and grey.
“I like grey. I think there’s a lot of colour in it.’’
She tries especially to capture the character of the light in a given scene with the result that many of their paintings have an almost luminous quality.
Mrs. McLoughlin moved to Vancouver In 1955 when she won a scholarship to attend the University of British Columbia. She married Mr. McLoughlin in 1957 and they have a son, Michael, 12, and a daughter, Margo, 10.
“I tried to talk one of the top gallery operators here into hanging my work. He said that had it been 10 years ago, perhaps they would have considered it but not now.

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